Scene I in Act XI of Chushingura

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Important notice: colors on screen always differ a littlebit from reality, so the colors of the physical wall arts will never look exactly the same as what you see on your screen. Our products are reproductions.

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Utagawa Hiroshige: Scene I in Act XI of Chushingura, 50x70cm Framed Art Reproduction With Black Frame

Scene I in Act XI of Chushingura

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The Artwork: Scene I in Act XI of Chushingura

Utagawa Hiroshige (1797–1858) made this print as one scene from the Chūshingura, the celebrated drama of the forty-seven loyal retainers. The play recounts a true event: after their lord was forced to take his own life, his masterless samurai waited, then carried out a long-planned revenge. Hiroshige illustrated the eleven acts of the story more than once during his career.

Act XI is the night of the attack. This first scene gathers the retainers in deep winter, with snow on the trees, figures crossing a bridge, and a boat passing beneath it. Hiroshige cut the design as a colour woodblock print, using soft greys and blues to hold the cold, quiet hour before the raid.

The mood is still and watchful rather than violent, a scene of waiting. The winter palette suits a study, a hallway, or a living-room wall, and its muted blues and whites sit calmly beside wood and stone.

This artwork is made to order in three forms. The unframed poster is printed on heavy ma . . . Read More >>


Japan historical period: Edo 江戸 (1603-1868)

Check out other artwork of Utagawa Hiroshige


The Artist: Utagawa Hiroshige

Memorial portrait of Utagawa Hiroshige by Kunisada

 

Utagawa Hiroshige (1797–1858), also known as Andō Hiroshige, was one of the last great masters of Japanese Ukiyo-e woodblock prints, particularly celebrated for his poetic and atmospheric landscapes.

Born in Edo (now Tokyo) into a samurai family, he inherited his father's position as a fire warden but was drawn to art from a young age. Around 1811, he joined the studio of Utagawa Toyohiro, a respected Ukiyo-e artist. Hiroshige initially created prints of traditional subjects like beautiful women (bijin-ga) and actors (yakusha-e), but he found his true calling in landscape art. His breakthrough came with the series 'The Fifty-three Stations of the Tōkaidō' (Tō . . . Read More >>

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Our prints are made with the highest quality 12-color Japanese water-based printing technology and pigment ink. We print on acid-free, archival quality, FSC®-certified paper.

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