Woman Picking Chrysanthemum - Gallery-style

Suzuki Harunobu (circa 1725–1770) was a pivotal figure in the history of Japanese Ukiyo-e woodblock prints, credited with the popularization and technical development of nishiki-e ('brocade pictures'), the first full-color Ukiyo-e prints, around 1765.

Details of his early life are scarce, but he was active in Edo (now Tokyo). It is believed he may have studied under Nishimura Shigenaga or another artist of the Kanō school, but his style became distinctly his own. Before the advent of nishiki-e, Ukiyo-e prints were either monochrome (sumizuri-e), hand-colored (urushi-e, benizuri-e), or printed with a limited number of color blocks. Harunobu, in collaboration with skilled block carvers and printers, and often supported by wealthy patrons within literary circles who commissioned private prints (surimono) and calendar prints (egoyomi), perfected the technique of using multiple woodblocks to apply a wide range of vibrant colors with precision. This innovation revolutionized the Ukiyo-e medium, bringing a new level of richness and visual appeal to prints.

Harunobu's subject matter primarily focused on bijin-ga (pictures of beautiful women), often portraying slender, youthful, and idealized figures in everyday scenes, domestic interiors, or settings with subtle poetic or literary allusions. His women are typically depicted with a delicate, doll-like grace and ethereal beauty, exuding an air of innocence and quiet charm. He also created shunga (erotic art) and some actor prints, but it is his depictions of feminine beauty and scenes of daily life that define his legacy. His compositions are known for their elegance, harmonious color schemes, and often, a sense of peaceful intimacy. He frequently depicted figures in contemporary Edo settings, offering glimpses into the fashion and customs of the time, though often romanticized.

Harunobu's active period as a leading nishiki-e artist was relatively short, from around 1765 until his death in 1770. However, during these few years, he was incredibly influential, setting the standard for full-color printing and inspiring a generation of Ukiyo-e artists who followed, such as Isoda Koryūsai and Kitao Shigemasa. He was a contemporary of artists like Suzuki Harushige (later known as Shiba Kōkan), who for a time closely imitated Harunobu's style.

The refinement and poetic quality of Harunobu's work marked a shift in Ukiyo-e, moving towards more sophisticated and aesthetically pleasing images that appealed to a cultured urban audience. His prints remain highly prized for their beauty, historical importance in the development of Ukiyo-e, and their charming portrayal of Edo-period life and idealized femininity.

If you want to know more about the artist: Suzuki Harunobu - Wikipedia