Ohara Koson (1877-1945) drew the natural world with unusual patience, and fish were among his recurring subjects. This print follows carp, koi, moving through clear water. It belongs to the shin-hanga movement, which renewed Japanese woodblock printing in the early twentieth century.
Koson sets the fish against open water and lets line do the swimming. A few graded strokes give each body its turn and weight; fins and barbels are drawn lightly; the water is suggested rather than filled in. The result feels slow and continuous, the koi caught mid-glide.
In Japan the carp stands for persistence and good fortune, famed for swimming upstream against the current. On paper and framed prints, the gallery-style edition frames the image within a wide printed border, like a matted gallery print. It suits a study or a calm living wall, where its steady motion reads as quiet rather than busy.
This is a gallery-style edition. On fine-art paper and framed prints, a wide pr . . . Read More >>
Ohara Koson (1877-1945) drew the natural world with unusual patience, and fish were among his recurring subjects. This print follows carp, koi, moving through clear water. It belongs to the shin-hanga movement, which renewed Japanese woodblock printing in the early twentieth century.
Koson sets the fish against open water and lets line do the swimming. A few graded strokes give each body its turn and weight; fins and barbels are drawn lightly; the water is suggested rather than filled in. The result feels slow and continuous, the koi caught mid-glide.
In Japan the carp stands for persistence and good fortune, famed for swimming upstream against the current. On paper and framed prints, the gallery-style edition frames the image within a wide printed border, like a matted gallery print. It suits a study or a calm living wall, where its steady motion reads as quiet rather than busy.
This is a gallery-style edition. On fine-art paper and framed prints, a wide printed border surrounds the image in the manner of a museum mat, holding the same proportion whether the sheet is small or large. The canvas edition is stretched over a solid wooden frame instead, and hangs without a border or additional framing. Each version is produced in Europe to order.
Frequently asked questions
What does this print show?
Carp, koi, swimming through clear, open water.
What do koi mean in Japanese culture?
They stand for perseverance and good fortune, known for swimming upstream against strong currents.
How does Koson suggest water?
He leaves it largely open, letting the fish and a few graded lines imply the current rather than drawing every ripple.
What does the gallery-style edition add?
On fine-art paper and on framed prints, a wide printed border around the image, giving it the look of a matted gallery print. The canvas edition hangs without a border.
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Japan historical period: Showa 昭和 (1926-1989)
Check out other artwork of Ohara Koson
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#Botanical
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#Kacho-E
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#Minimalist
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#Traditional
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#Water