Silent Totem stacks several vertical forms on a warm, textured ground — like an architecture reduced to its weight. The work stands in the line of geometric abstraction — the constructivist and concrete search for image-as-structure — read through a Japandi colour palette: terracotta, deep charcoal, soft cream.
Each form is brushed onto the ground, not drawn. The edges are slightly offset, the surfaces carry the trace of the hand, and the column itself rises in three or four distinct steps, each with its own visual weight. The textured background — warm and gently uneven — keeps the whole image from reading as strictly geometric.
Silent Totem suits hallways, stairwells and rooms with vertical height. It anchors a tall, narrow wall well, sits comfortably above a low bench in an entryway, and harmonises with natural materials — wood, plaster, undyed wool — and a single piece of mid-20th-century furniture below it.
Available as a pigment-ink print on heavy arch . . . Read More >>
Silent Totem stacks several vertical forms on a warm, textured ground — like an architecture reduced to its weight. The work stands in the line of geometric abstraction — the constructivist and concrete search for image-as-structure — read through a Japandi colour palette: terracotta, deep charcoal, soft cream.
Each form is brushed onto the ground, not drawn. The edges are slightly offset, the surfaces carry the trace of the hand, and the column itself rises in three or four distinct steps, each with its own visual weight. The textured background — warm and gently uneven — keeps the whole image from reading as strictly geometric.
Silent Totem suits hallways, stairwells and rooms with vertical height. It anchors a tall, narrow wall well, sits comfortably above a low bench in an entryway, and harmonises with natural materials — wood, plaster, undyed wool — and a single piece of mid-20th-century furniture below it.
Available as a pigment-ink print on heavy archival paper, as a framed edition with shatter-resistant acrylic in oak, walnut or black wood, or as a satin-finish cotton canvas on a wood frame, ready to hang. Each order is produced in Europe and shipped from the EU.
Frequently asked questions
What does the work show?
Several brushed vertical forms, stacked into a tall, totem-like column on a warm, textured ground, in earth tones of terracotta, charcoal and cream.
Which art direction does it belong to?
The line of constructivist and concrete geometric abstraction, with the warmer palette and brushed surface of the Japandi tradition.
Where does Silent Totem work best?
Hallways, stairwells and rooms with high ceilings or narrow vertical walls. It anchors an entryway bench or a long corridor particularly well.
Which formats are offered?
Archival paper poster, framed edition with shatter-resistant acrylic, and satin-finish cotton canvas on a wood frame. Produced and shipped in the EU.
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#Abstract
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#Abstract Minimalist
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#Biomorphic Stack
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#Geometric
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#Minimal
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#Minimalist
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#Modern
