Midnight Pendulum

Midnight Pendulum reduces an image to its bare diagram: a single black disc, suspended on a thin line, in the middle of a cream field. The work stands in the line of Suprematist and concrete geometric abstraction — Malevich, Albers, Bill — in which a single placed form does the work of an entire composition.

The line is straight; the disc is deep black; the ground is warm and even. Nothing else. Weight is implied — the disc seems to pull downward on its thread — yet the image stays quiet. Proportion does most of the work: the disc is small enough to leave the field open, large enough to anchor it.

Midnight Pendulum suits architectural spaces, modern hallways, and minimalist living areas. It works well above a single bench, a low cabinet, or a piano, and harmonises with white walls, light oak, raw concrete, and brushed metal.

Available as a giclée on heavy archival paper, as a framed edition with shatter-resistant acrylic in oak, walnut, or black wood, or as satin cotton canvas on a wooden frame, ready to hang. Each format is produced and shipped within the EU.

Frequently asked questions

What does the work show?
A single black disc, hanging from a thin vertical line on a cream ground — a minimalist composition of one form, one line, one field.

Which art movement does this belong to?
Suprematist and concrete geometric abstraction — the early 20th-century search for the image as pure form — read through a contemporary Japandi palette.

Where does Midnight Pendulum work best?
Architectural spaces, modern hallways, minimalist living areas, and above single pieces of furniture such as a bench, a low cabinet, or a piano.

Which formats are offered?
Archival paper poster, framed edition with shatter-resistant acrylic, and satin cotton canvas on a wooden frame. Produced and shipped within the EU.