Blocks explores colour and transparency through a deceptively simple structure. Rectangular forms in rosato, rose and coral tones are layered across the composition, each one semi-transparent, each one letting the colours beneath show through. The result is a surface that is neither flat nor deep in the conventional sense — the colour mixing happens in the eye rather than on the canvas. This is colour field painting in a digital register, reduced to essentials.
The palette moves around pink and its neighbouring hues: soft rosato at the light end, saturated coral in the lower half, with the overlap zones producing the most complex readings. The rectangles are arranged without obvious symmetry or hierarchy — balanced, but not mechanical. A deliberate calm marks the work: no hard edges demand attention, no single element dominates.
In a room, Blocks suits settings that want warmth without a strong colour statement. The pinks harmonise with white walls, bleached wood, . . . Read More >>
Blocks explores colour and transparency through a deceptively simple structure. Rectangular forms in rosato, rose and coral tones are layered across the composition, each one semi-transparent, each one letting the colours beneath show through. The result is a surface that is neither flat nor deep in the conventional sense — the colour mixing happens in the eye rather than on the canvas. This is colour field painting in a digital register, reduced to essentials.
The palette moves around pink and its neighbouring hues: soft rosato at the light end, saturated coral in the lower half, with the overlap zones producing the most complex readings. The rectangles are arranged without obvious symmetry or hierarchy — balanced, but not mechanical. A deliberate calm marks the work: no hard edges demand attention, no single element dominates.
In a room, Blocks suits settings that want warmth without a strong colour statement. The pinks harmonise with white walls, bleached wood, light linen and soft terracotta. It is particularly suited to a bedroom — its visual softness and absence of tension make it right for a room meant for rest. It also works in a seating nook or a home office, where quiet visual complexity is welcome.
Available as a fine art poster on thick matte paper or framed behind shatter-resistant acrylic in a sturdy frame, ready to hang. Several formats are available, all produced from the same high-resolution source file.
Frequently asked questions
What does Blocks depict?
The composition layers semi-transparent pink and coral rectangles across the picture surface, so their colours mix optically where they overlap. The subject is the interplay of colour, transparency and overlaid forms.
Which art tradition does Blocks belong to?
It draws on colour field painting, a post-war movement that treated colour as the primary expressive medium. Blocks adapts this in a contemporary graphic register — flat, precise, with no visible brushwork.
What colour palette does the print use?
The palette stays within the range of pink and coral: soft rosato at the lightest end, warm rose-red in the mid-tones, saturated coral in the denser zones. The palette harmonises well with rooms in white, light wood, linen and soft terracotta.
Which rooms suit Blocks best?
Its visual softness makes it especially suited to bedrooms, where the absence of tension supports rest. It also works in a seating nook or a home office, where quiet visual complexity is preferred.
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#Abstract
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#Abstract Minimalism
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#Color Field
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#Concentric
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#Geometric
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#Homage
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#Josef Albers
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#Light
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#Minimal Geometric
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#Minimalist
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#Modern
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#Modern Abstract
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#Pink
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#Squares
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#Sun
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#Typography
