Blushing Twin Paper Dolls — Vintage Japanese Toy Print (Kyōsen Nr. 66)

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Kawasaki Kyosen: Kyosen’s Collected Illustrations of Japanese Toys Nr. 66 ("Blushing Twin Paper Dolls"), 50x70cm Framed Art Reproduction With Black Frame

Blushing Twin Paper Dolls — Vintage Japanese Toy Print (Kyōsen Nr. 66)

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The Artwork: Blushing Twin Paper Dolls — Vintage Japanese Toy Print (Kyōsen Nr. 66)

This plate from Kawasaki Kyōsen's (1877–1942) Collected Illustrations of Japanese Toys shows folded paper toys: red speckled paper packets or origami forms set against open ground, with a tiny painted figure below. Folded-paper toys were a humble, everyday plaything, often made at home and tied to seasonal customs.

Kyōsen used the omocha-e manner, the woodblock genre devoted to toys. The design was printed from carved blocks aligned by colour onto paper. The drawing is sparing and exact, letting the folds and the dotted red pattern speak for themselves against a wide empty field — a faithful note of a small thing.

On a wall the plate is light and uncrowded. The few red shapes on cream give it an airy, modern calm, and the empty space around them does much of the work. It suits a child's room, a reading nook, or any spot that benefits from a quiet, minimal image.

Each print is made to order on thick, smooth fine art paper, or framed behind shatter-resistan . . . Read More >>


Japan historical period: Taisho 大正 (1912-1925)

Check out other artwork of Kawasaki Kyosen


#Abstract#Art#Classic#Doll#Illustration#Japanese#Japanese Illustration#Japanese Traditional#Kawasaki Kyosen#Kimono#Minimalist#Paper#Paper Dolls#Paper Toy Abstraction#Sketch

The Artist: Kawasaki Kyosen

Photo of Kawasaki Kyosen

Kawasaki Kyosen (1877–1942) was a Japanese painter and print designer active during the Meiji, Taishō, and early Shōwa periods. While perhaps not as internationally renowned as some of his Ukiyo-e predecessors or Shin-Hanga contemporaries, Kyosen made notable contributions, particularly in the realm of kuchi-e (literally 'mouth pictures'), which were woodblock-printed frontispieces for popular novels, literary magazines, and even sheet music.

Born in Kyoto, Kyosen studied traditional Japanese painting under several masters, including Bज्ञानrō Unsō. He developed a style that was both rooted in traditional aesthetics and adaptable to the illustrative needs of the publishing industry of his time. Kuchi-e prints were an important part of Japanese visual cul . . . Read More >>

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