Harlequin Festival Kite — Vintage Japanese Toy Print (Kyōsen Nr. 56)

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Kawasaki Kyosen: Kyosen’s Collected Illustrations of Japanese Toys Nr. 56 ("Harlequin Festival Kite"), 50x70cm Framed Art Reproduction With Black Frame

Harlequin Festival Kite — Vintage Japanese Toy Print (Kyōsen Nr. 56)

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The Artwork: Harlequin Festival Kite — Vintage Japanese Toy Print (Kyōsen Nr. 56)

This plate from the Collected Illustrations of Japanese Toys (Kyosen Omocha-shu) by Kawasaki Kyosen (1877-1942) shows a folk kite of the kind flown at the New Year and at boys' festivals, its face given a bold design in black and red with a large red disc and trailing tassels. Kyosen recorded the regional toys of Japan with steady attention, and the kite, both plaything and folk emblem, is among the liveliest objects in his albums.

The sheet is omocha-e, the picture of toys, drawn from life and printed by woodblock. The strong black-and-red design sits against open paper, the tassels drawn in loose calm line below, and a red seal marks the corner. The colour is flat and confident, the shapes simple enough to read instantly.

On a wall the print is bold yet uncluttered. The single graphic kite gives a room a strong, cheerful focus while the pale ground keeps it from feeling heavy. It suits a child's room, a study, or a hallway, and pairs well with pale wood and othe . . . Read More >>


Japan historical period: Taisho 大正 (1912-1925)

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#Classic • #Decor • #Decorative Kite Art • #Japanese • #Japanese Traditional • #Kawasaki Kyosen • #Sketch • #Uncategorized

The Artist: Kawasaki Kyosen

Photo of Kawasaki Kyosen

Kawasaki Kyosen (1877–1942) was a Japanese painter and print designer active during the Meiji, Taishō, and early Shōwa periods. While perhaps not as internationally renowned as some of his Ukiyo-e predecessors or Shin-Hanga contemporaries, Kyosen made notable contributions, particularly in the realm of kuchi-e (literally 'mouth pictures'), which were woodblock-printed frontispieces for popular novels, literary magazines, and even sheet music.

Born in Kyoto, Kyosen studied traditional Japanese painting under several masters, including Bज्ञानrō Unsō. He developed a style that was both rooted in traditional aesthetics and adaptable to the illustrative needs of the publishing industry of his time. Kuchi-e prints were an important part of Japanese visual cul . . . Read More >>

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