Poem by Akazome Emon

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Katsushika Hokusai: Poem by Akazome Emon, 50x70cm Framed Art Reproduction With Black Frame

Poem by Akazome Emon

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The Artwork: Poem by Akazome Emon

Among the poems of the Ogura Hyakunin Isshu stands a verse by Akazome Emon, a poetess of the Heian court: rather than wait in vain, she writes, I should have slept — instead I watched the night out, until the moon went down. Katsushika Hokusai (1760–1849) took up the poem in One Hundred Poems Explained by the Nurse, the late series he began in the 1830s, retelling classical court poetry through scenes drawn from everyday life. The print carries the poem's mood into the world of ordinary people: a long night, a sinking moon, time measured in waiting.

Like the other designs of the series, the image was realised as a colour woodblock print. The drawing was pasted onto blocks of cherry wood and carved — one block for the outlines, one for each colour. Printed by hand with water-based pigments on supple paper, the sheet builds up layer over layer, with the soft gradations that only this craft produces.

This is a print for quiet hours. Its subject is patience — the lo . . . Read More >>


Japan historical period: Taisho 大正 (1912-1925)

Check out other artwork of Katsushika Hokusai


The Artist: Katsushika Hokusai

    

Katsushika Hokusai (1760–1849) is arguably Japan's most famous artist, an Ukiyo-e painter and printmaker of the Edo period, whose influence extended globally, significantly impacting Western Impressionist artists.

Born in Edo (now Tokyo), Hokusai's life was long and incredibly productive, and he famously changed his art name (gō) numerous times – over 30 in fact – with each name often marking a new artistic period or focus. He began his artistic journey as a teenager, apprenticing with a woodblock carver before joining the studio of Katsukawa Shunshō, a leading Ukiyo-e artist known for actor prints. However, Hokusai's interests were far broader than those of his master.

He explored various styles, studied European copperplate engravings which influenced his perspective techniques, and eventually left the Katsukawa school to pursue his own artistic path. Hokusai's body of work is astoundingly diverse, encompassing book illustrations, privately commissioned . . . Read More >>

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Our prints are made with the highest quality 12-color Japanese water-based printing technology and pigment ink. We print on acid-free, archival quality, FSC®-certified paper.

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