Fuji from Gotenyama at Shinagawa on the Tōkaidō

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Katsushika Hokusai: Fuji from Gotenyama at Shinagawa on the Tōkaidō, 50x70cm Framed Art Reproduction With Black Frame

Fuji from Gotenyama at Shinagawa on the Tōkaidō

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The Artwork: Fuji from Gotenyama at Shinagawa on the Tōkaidō

Gotenyama, a hill at Shinagawa on the Tōkaidō road, was one of Edo's favourite places to see cherry blossom. In this colour woodblock print from Katsushika Hokusai's Thirty-six Views of Mount Fuji, made around 1830–1832, blossom-viewing parties gather on the slope while Fuji stands small and constant in the distance. The mountain does not dominate the scene; it simply waits behind the spring crowd, the way it waited behind everyday life in Edo.

The print is a nishiki-e, a full-colour woodblock print built from many hand-carved blocks. It belongs to the era when imported Prussian blue had just entered Japanese printmaking, giving skies and water a depth of colour earlier prints could not reach. Against that blue, the soft mass of blossom and the small busy figures set the season's tone.

At home, the print carries spring without sweetness. Its balance of festivity and distance — people close, mountain far — gives a room something to return to. In a japandi or Scan . . . Read More >>


Japan historical period: Edo 江戸 (1603-1868)
Place of origin: Chubu region

Check out other artwork of Katsushika Hokusai


The Artist: Katsushika Hokusai

    

Katsushika Hokusai (1760–1849) is arguably Japan's most famous artist, an Ukiyo-e painter and printmaker of the Edo period, whose influence extended globally, significantly impacting Western Impressionist artists.

Born in Edo (now Tokyo), Hokusai's life was long and incredibly productive, and he famously changed his art name (gō) numerous times – over 30 in fact – with each name often marking a new artistic period or focus. He began his artistic journey as a teenager, apprenticing with a woodblock carver before joining the studio of Katsukawa Shunshō, a leading Ukiyo-e artist known for actor prints. However, Hokusai's interests were far broader than those of his master.

He explored various styles, studied European copperplate engravings which influenced his perspective techniques, and eventually left the Katsukawa school to pursue his own artistic path. Hokusai's body of work is astoundingly diverse, encompassing book illustrations, privately commissioned . . . Read More >>

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