White Falcon and Five-needled Pine

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Nakayama Sûgakudô: White Falcon and Five-needled Pine, 50x70cm Framed Art Reproduction With Black Frame

White Falcon and Five-needled Pine

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The Artwork: White Falcon and Five-needled Pine

Nakayama Sūgakudō worked in mid-19th-century Edo, in the kachō-e (bird-and-flower) tradition that flourished alongside late ukiyo-e. White Falcon and Five-Needled Pine belongs to his celebrated bird series published around 1859, pairing a snow-white falcon with the long needles of a pine bough. Both motifs carry strong associations in Japanese painting — the falcon with sharp vision and composure, the pine with endurance through winter.

The image was cut from cherry-wood blocks in the nishiki-e method, one block per colour, each pressed in sequence onto handmade washi paper. The falcon's plumage is built up in soft greys and ivories with bokashi shading that suggests the soft underside of feathers, while the pine needles are pressed in firmer lines. Wide negative space and a low horizon leave the bird carrying the field.

The muted palette settles easily into a calm room — pale oak, linen, off-white walls, brushed brass. It works above a low console, betwe . . . Read More >>


Japan historical period: Edo 江戸 (1603-1868)
Place of origin: Kanto region

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The Artist: Nakayama Sūgakudō

Nakayama Sūgakudō (en activo entre 1840 y 1860) fue un artista japonés conocido principalmente por sus kachō-ga, o cuadros de pájaros y flores, de estilo Ukiyo-e.

Los detalles sobre su vida personal, incluidas las fechas exactas de su nacimiento y muerte, y su formación artística, no están ampliamente documentados, lo que es habitual en muchos artistas Ukiyo-e que no se encuentran entre los maestros de primera fila.

Los detalles sobre su vida personal, incluidas las fechas exactas de su nacimiento y muerte, y su formación artística formal no están ampliamente documentados, lo que es habitual en muchos artistas de Ukiyo-e que no se encontraban entre los maestros de primera fila.

Su obra se desarrolló durante el siglo XIX.

Estuvo activo durante la última parte del periodo Edo, una época en la que el kachō-ga era un género bien establecido y popular. El género kachō-ga en sí tiene una larga historia en el arte de Asia Oriental, y en el Ukiyo-e ofrecía a los artistas una forma de representar . . . Read More >>

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We have put tremendous amount of work into the manual graphical enhancement and remixing of each classic art piece we offer, while fully respecting the original vision of the artist masters

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Our prints are made with the highest quality 12-color Japanese water-based printing technology and pigment ink. We print on acid-free, archival quality, FSC®-certified paper.

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